Description

The Rode NT4 Stereo Condenser Microphone offers a perfect X/Y stereo array without the need for matched pair microphones, complex stereo bars and equipment. Simply place the microphone and capture a realistic stereo field using a single microphone.

Combining an acoustically matched pair of 1/2" cardioid condenser capsules fixed in a perfect 90 degree near-coincident alignment, the NT4 instantly creates a faithful stereo array that is ideal for drum overheads, percussion, choir vocals, environmental recording and sound design in a studio or in the field.

The NT4's versatility is further extended by its ability to be powered by a 9V battery, in addition to 48V phantom power. Both stereo XLR and 3.5mm minijack cables are supplied to ensure the NT4 is ready to record to mixing console, portable recorder or camera.

The RodeE NT4 microphone is designed and made in Australia, and covered by Rode's industry leading 10 year warranty.

Description

Description

Description

The Sennheiser e904 is a cardioid instrument microphone primarily designed to reproduce drums and percussion instruments with incredible richness and detail. The e904 features a dynamic element with a cardioid polar pattern that reduces off-axis signal and residual noise.

The e904 provides high headroom and low distortion when capturing signals at excessive sound pressure levels. The element responds to very fast attacks with extreme accuracy, without distortion. The e904 is an excellent choice for capturing snare drums, toms, congas, and more.

Description

The Neumann U 87 Ai Studio Set Condenser Microphone is a large dual-diaphragm condenser microphone. It features three directional patterns, including omnidirectional, cardioid and figure-8. These are selectable with a switch below the head grille and the window above this switch shows the symbol of the selected characteristic. A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion. The low frequency response can be reduced to compensate for proximity effect.

The U 87 Ai is used as a main microphone for orchestra recordings, as a spot microphone for single instruments, and extensively as a vocal microphone for all types of music and speech.

The U 87 Ai is addressed from the front. The frequency response of the cardioid and figure-8 directional characteristics are very flat for frontal sound incidence, even in the upper frequency range. The microphone can be used very close to a sound source without the sound becoming unnaturally harsh. By means of a high-pass filter, interference through subsonic and low frequencies are reduced.

The circuitry increases operational headroom of the U 87 Ai by supplying the bias voltages for the capsule through a reduced resistance. The result is a higher sensitivity of 10 dB for identical sound pressure levels, and an improved S/N ratio of 3 dB.

A switch located at the rear attenuates the sensitivity by 10 dB. When this switch is activated, the microphone accepts sound pressure levels up to 127 dB (equivalent to a sound pressure of 45 Pa) without distortion.

An additional switch at the rear allows to change the microphone's cutoff frequency. This reduces low frequency interference directly at the input of the microphone amplifier. This setting also compensates for the unavoidable bass boost that occurs with all pressure gradient transducers when they are used at close distance (proximity effect).

Description

The Shure BLX188UK/CVLX-K14 Dual Wireless Microphone System offers an incredibly flexible solution ideal for presentations and performances which require 'hands-free' operation, including two Shure CVL lavalier microphones with transmitter body packs and a single combined receiver. From vocal performances to conference presentations, the CVL lavalier microphone neatly clips onto clothing, providing consistent and clear vocal reproduction allowing you to concentrate on the show.

The BLX1 bodypack transmitter ensures the smooth and seamless transmission of signals without the loss of audio quality and clips neatly out of sight. Featuring professional quality sound combined with reliable and intuitive user operation, the BLX188UK/CVL-K14 system allows the use of a both lavalier microphones alongside each other using BLX88 dual receiver.

Description

Description

The Sennheiser EW 100 G4-Ci1 Wireless Omni Earset Microphone System Kit delivers intelligible, natural audio for presenters, educators, clergy, and lecturers working in business and educational settings, and houses of worship. It includes a beige Senal UEM-155-35H omnidirectional earset microphone optimized for speech. Also included is a Ci 1 instrument cable.

The Sennheiser EW 100 G4-Ci1 is an easy-to-set-up rackmount wireless system that brings reliable high-quality, wireless sound to guitar and bass players performing in small to medium-sized venues including concert stages, houses-of-worship, theaters, and clubs.

The EW 100 G4-Ci1 features a true diversity, half-rack receiver housed in a rugged, full-metal chassis. The receiver's auto-scan function searches a wide 46 MHz UHF tuning range with 1840 selectable frequencies available, seeking out a clean, interference-free channel for your audio transmission. The onboard guitar tuner is an added convenience for musicians.

This system includes a Ci 1 cable that connects your instrument to the lightweight bodypack transmitter. The transmitter provides up to 8 hours of operation on two AA batteries, with a fixed 30mW RF power output and a transmission range up to 330'. Up to 12 wireless channels can operate simultaneously in the same space, with the receivers linked together for fast, multi-channel frequency setup.

Description

Description

The Behringer Ultralink ULM302MIC Wireless Microphone System, includes with 2 of Behringer's high-quality ULM300M handheld microphones and the equally impressive ULM300RD dual-channel receiver. Now you are free to work the room to your heart's content, without the hassle and restriction of cables underfoot. Highest-quality sound is provided by the ULM300MIC’s custom designed microphone capsule that is optimized for vocal performance, and the built-in transmitter that operates in the license-free 2.4 GHz range.

The state-of-the-art transmitter operates in the 2.4 GHz frequency band, which is well out of the way of TV stations and cell phone towers. And since it is digitally encrypted, your signal gets through in all its pristine, high-definition quality, without the random artifacts that often plague other wireless systems. The ULM300RD dual-channel receiver tracks your every move, with a range of up to 200 feet (60 m).

Replacing batteries in wireless mics can get expensive really fast and having them die in the middle of your set can be a real showstopper. That's why Behringer devoted extra time in developing the ULM300M to ensure that battery life was extended as much as possible. You get an honest 24 hours of performance time from a pair of AA alkaline batteries, which are available virtually anywhere on the planet.

Setup couldn’t be easier, because the ULM300M mics automatically pair with the ULM300RD dual-channel receiver without you having to lift a finger. Convenient front-panel LEDs on the receiver show your signal presence and strength, while indicators on the transmitter let you know at a glance when it's time to change batteries. Audio outputs are balanced XLR and unbalanced 1/4" TS, allowing you to connect to PA and conference room systems or high-quality instrument amplifiers.

Description

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