Description

The Sennheiser XSW 2-865-B Wireless Handheld Microphone System with e865 Capsule features a true diversity receiver, and a handheld transmitter with an intuitive LCD display. It has 12 compatible channels and is offered as an easy to use, all-in-one wireless system for singers and presenters.

The unit has automatic frequency management and synchronization so you don't have to scramble to find an available channel. The transmitter's e865 capsule uses a supercardioid polar pattern, which is part of the evolution series and designed for withstanding tougher, live-stage conditions.

Description

The Rode K2 Variable Pattern Dual 1.0" Condenser Valve Microphone delivers the sonic quality expected of a Class-A tube microphone. At the heart of the microphone is a hand-selected 6922 twin-triode valve. The valve provides warmth and detail while reproducing a flat, uncolored frequency response.

The K2 boasts a dynamic range of 150 dB. This ensures detailed, accurate pick up of low signals and distortion free, transparent pick up of transients. An external power supply provides user access of up to 3 polar patterns. Cardioid, omnidirectional, and figure eight are all available and the patterns are user variable, allowing custom contouring of each pattern as needed.

Description

The Behringer Ultralink ULM300USB is an affordable Wireless Microphone System. Now you are free to work the room to your heart’s content, without the hassle and restriction of cables underfoot. Highest-quality sound is provided by the dynamic hand-held mic thanks to the built-in transmitter, which operates in the license-free 2.4 GHz range. The dedicated ULM receiver not only connects to your PC/Mac computer’s USB port for recording directly into your favorite DAW application, but also works with a wide range of Behringer “Wireless-Ready” mixers and powered speakers for the ultimate in versatility.

The state-of-the-art transmitter and receiver operate in the 2.4 GHz frequency band, which is well out of the way of TV stations and cell phone towers, two of the main culprits that wreak havoc in the wireless zone. Because it is digitally encrypted, your signal gets through in all its pristine, high-definition quality, without the random artifacts that often plague other wireless systems.

Replacing batteries in wireless mics can get expensive really fast and having them die in the middle of your set can be a real showstopper. That’s why Behringer devoted extra time in developing the ULM300USB to ensure that battery life was extended as much as possible. You get an honest 24 hours of performance time from a pair of AA alkaline batteries, which are available virtually anywhere on the planet.

In order to make the ULM300USB to be ultra-easy to operate, Behringer gave each mic easy-to-understand and operate Volume buttons right on the microphone body. Should you accidentally wander into the “Feedback Zone”, it's included with a handy Panic Mute function that engages when you press and hold the Volume Down button.

Operating in the 2.4 GHz band allows your ULM300USB Wireless Microphone System to be used across the globe without any special licensing requirements.

Description

The Neumann KM 184 is a state-of-the-art small diaphragm condenser microphone with a uniform, frequency-independent cardioid polar pattern. Its very natural, transparent sound with very low self-noise and high SPL capability have made the KM 184 a worldwide stage and studio standard for many applications ranging from classical piano to heavy metal drums.

The Neumann Series 180 consists of three members with different pickup patterns: KM 183 (omni), KM 184 (cardioid), and KM 185 (hypercardioid), thus covering the majority of stage and studio applications. Because the Series 180 microphones are non-modular, they are more cost-effective than the modular Series KM A and KM D (which offer a wide range of interchangeable capsule heads for analog and digital output stages).

Despite its attractive pricing, the KM 184 offers state-of-the-art Neumann engineering. Its cardioid pattern is frequency-independent; rejection of rearward sound (180 degree) is excellent, even at low frequencies. In practical usage, there is no sound coloration over a wide pickup angle, which is crucial in multi-microphone setups and for precise stereo/surround imaging. The KM 184's frequency response is very smooth and linear with a slight treble lift around 9 kHz for added brilliance. Its innovative transformerless head amplifier offers a wide dynamic range of 125 dB and is carefully designed to maintain the capsule's sonic integrity. The KM 184 has a very low self-noise of only 13 dB-A and can handle high sound pressure levels of up to 138 dB free from distortion. Due to its low impedance output stage, the KM 184 can drive long cable runs of up to 300 meters (1000 feet) without transmission losses.

The KM 184 is a universal microphone for studio and stage applications. Its transparent sound makes the KM 184 a superb microphone for acoustic instruments, such as piano, percussion, drums, acoustic guitar, upright bass, violin, cello, woodwinds, and brass. The KM 184 can be used for soloists as well as ensembles. Thanks to its superior off-axis behavior, the KM 184 is an excellent microphone for stereo and surround recording with perfect imaging. Although the KM 184 is not specially optimized for the human voice, it is often used for classical vocals and whenever sonic authenticity is paramount. Due to its small size, the KM 184 is visually unobtrusive and well suited to TV and radio applications.

Description

Description

The Neumann U 87 Ai Stereo Set Condenser Microphone is a large dual-diaphragm condenser microphone. It features three directional patterns, including omnidirectional, cardioid and figure-8. These are selectable with a switch below the head grille and the window above this switch shows the symbol of the selected characteristic. A 10 dB attenuation switch is located on the rear. It enables the microphone to handle sound pressure levels up to 127 dB without distortion. The low frequency response can be reduced to compensate for proximity effect.

The U 87 Ai is used as a main microphone for orchestra recordings, as a spot microphone for single instruments, and extensively as a vocal microphone for all types of music and speech.

The U 87 Ai is addressed from the front. The frequency response of the cardioid and figure-8 directional characteristics are very flat for frontal sound incidence, even in the upper frequency range. The microphone can be used very close to a sound source without the sound becoming unnaturally harsh. By means of a high-pass filter, interference through subsonic and low frequencies are reduced.

The circuitry increases operational headroom of the U 87 Ai by supplying the bias voltages for the capsule through a reduced resistance. The result is a higher sensitivity of 10 dB for identical sound pressure levels, and an improved S/N ratio of 3 dB.

A switch located at the rear attenuates the sensitivity by 10 dB. When this switch is activated, the microphone accepts sound pressure levels up to 127 dB (equivalent to a sound pressure of 45 Pa) without distortion.

An additional switch at the rear allows to change the microphone's cutoff frequency. This reduces low frequency interference directly at the input of the microphone amplifier. This setting also compensates for the unavoidable bass boost that occurs with all pressure gradient transducers when they are used at close distance (proximity effect).

Description

The Sennheiser XSW 1-908-B UHF Wireless Brass Set with e908T Gooseneck Mic is an easy to use all-in-one wireless system for brass and woodwind instruments. It can be used in live sound applications, allowing freedom of movement for live stage, theater, rehearsals, and more.

The set includes an intuitive stationary receiver for quick set-up and hassle-free handling, as well as a lightweight bodypack transmitter and an e908T cardioid gooseneck microphone. It is built with antenna-switching diversity reception and features automatic frequency management and synchronization via remote channel. Up to 10 compatible channels are available. Additionally, an AC power adapter and two AA batteries are also included.

Description

The SM7B is a selectable frequency response microphone that delivers warm and smooth audio in close-proximity studio and vocal applications. 

It features a cardioid polar pattern, bass roll-off and midrange emphasis (presence boost) controls, and shielding against broadband interference. An internal air suspension shock isolation helps to eliminate mechanical noise transmission, and a yoke mount facilitates mounting and provides precise control of the mic position.

Description

The Audio-Technica ATR1500X Cardioid Dynamic Vocal/Instrument Microphone is a handheld mic that is tuned for clear vocal and instrument reproduction. It can be used for live stage and rehearsal applications and is designed to reduce the pickup of sounds from the sides and rear of the microphone improving isolation and reducing feedback.

The mic's directional polar pattern keeps the pickup focused on the sound source, delivering clear, natural-sounding reproduction of vocals and instruments, while also helping to prevent feedback. The ATR1500x includes a detachable 5 m (16.5') XLR-to-XLR cable for use with live/studio mixers and professional sound systems. And its rugged metal construction and convenient on/off switch ensure reliable, easy-to-use performance.

Description

Description

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